News – Creating Pathways

The Creating Pathways programme was featured in The Times in 2017

CPAdmin — Wed, 18 Aug 2021 23:36:27 +0000

Creating Pathways Committee: We’re recruiting

CPAdmin — Mon, 17 Feb 2020 21:55:48 +0000

Creating Pathways was conceived in 2014, and is considered the first initiative of its kind for BAME lawyers working in private practice and in-house. BAME lawyers suffer higher attrition rates than their non-BAME colleagues. In response to this stark truth, the Creating Pathways programme is designed to fuel the pipeline of BAME lawyers into partnership or the equivalent through providing cross-firm mentorship from senior BAME lawyers.

The committee meets once every two months and responsibilities include being involved in all aspects of the committee from engaging new and potential Creating Pathways candidates and mentors, producing evaluation reviews, co-ordinating events, eliciting and managing feedback, creating surveys, etc.

If you are interested in joining the committee and would like to apply, please send your CV and a brief cover letter to: bsncity@blacksolicitorsnetwork.org by 5pm on October 3, 2022.

Paulette Mastin: UK Legal Employers Can Do More to Advance the Careers of Lawyers of Colour

CPAdmin — Wed, 16 Oct 2019 22:47:49 +0000

Interview by the Thomson Reuters Legal Executive Institute, 2019 – a direct link to this article is provided within

Paulette Mastin, Counsel at Linklaters within the Capital Markets practice, started her career with an investment bank but found her calling to the law when she was assisted on a House of Lords case involving derivative contracts that her employer had entered into with local authorities.

After completing her post-graduate legal studies, she secured a training contract at Linklaters and with a great deal of perseverance, achieved her goal of becoming a city lawyer in London. Her practice area involves advising financial institutions, corporate trustees, and multinationals on a wide spectrum of capital market transactions, as well as structured finance products, infrastructure and project financing, and Islamic finance.

Motivated by the Naysayers

In the early stages of her career, Mastin said she had to deal with a few cynics about the possibility of her success in London. In particular, one person advised her to avoid the law because she would struggle to make it as a city lawyer because “One, I’m a woman and two, I’m black.” When she heard this, Mastin doubled down on her determination. “Frankly, if I’m told I can’t do something that I’ve set my heart on, or that it’s beyond me, I tend to strive to turn that narrative on its head, and just really work towards being the best that I could be.” She attributes her drive to her parents, who immigrated to the U.K., and instilled in her a strong work ethic, a sense of gratitude, and a commitment to giving back.

Linklater’s Paulette Mastin

Mastin also has received some of the best network and career support through her involvement in the Black Solicitors’ Network (BSN), which she joined in 2005. After a few years, she became a founding member of the London City Branch of BSN in 2008; and since 2017, she has served as the national leader of the BSN… continue reading here…

Ethnic diversity in practice – how to bridge the gap

CPAdmin — Wed, 01 May 2019 00:15:48 +0000

The economic and moral case for ethnic diversity in the workplace is well-rehearsed. McKinsey’s 2018 research on diversity in the workplace revealed that companies with the most ethnically diverse executive teams are 33% more likely to outperform their peers on profitability. This is a compelling business case. An equally important driver for success is the moral case for diversity, which is underpinned by a commitment to equality, respect and fairness – it is about doing what is right, continue reading here…

Pale, stale and male….

cptech — Sun, 26 Aug 2018 17:30:37 +0000

The Times (June 2017): Pale, stale and male: the heights of the legal world are still not diverse enough…

Shakespeare’s Globe announces programme for festival ‘Shakespeare and Race’

cptech — Tue, 21 Aug 2018 15:26:37 +0000

Shakespeare’s Globe announces programme for festival ‘Shakespeare and Race’.

Shakespeare’s Globe is delighted to announce the programme for‘Shakespeare and Race’, a new festival of events opening 11 August. This is the first time in the Globe’s twenty-year history that the topic will be explored in depth over a week. Curated to draw attention to and provide a platform for scholars, practitioners and educators of colour in the teaching, study and performance of Shakespeare, this festival will highlight the importance of race to the consideration of Shakespeare not only in his time, but more urgently, in our own. The festival includes a play American Moorby Keith Hamilton Cobb, a workshop entitled Staging Race and Diversity in the Shakespearean Theatre, The Sam Wanamaker Fellowship Lecture is to be given by Professor Kim F. Hall, a pre-show talk for Emilia with Morgan-Lloyd Malcolm, a panel discussion of actors who have played Othello, and an international symposium featuring Kimberlé Crenshaw, Professor of Law at Columbia Law School and UCLA, who coined the term ‘intersectionality’. The festival starts and finishes with two theatre productions, Voices in the Dark and Hip-hop Shakespeare Unplugged.

Dr. Farah Karim-Cooper, Director of the Festival and Head of Higher Education & Research, said:“This festival aims to address the racial imbalances that exist not only in the industry of theatre but also in Shakespeare studies. As an iconic Shakespeare organisation we are duty bound to engage scholars and artists of all backgrounds and facilitate important and, at times, difficult conversations about the ways in which race is being represented in theatre and in the field. Shakespeare’s Globe must have this important conversation as a confident rebuttal to a dangerous regression to white privilege.”

Margaret Casely-Hayford, Chair of Shakespeare’s Globe, said:“Shakespeare’s ability to give an eloquent voice to people of different backgrounds and in widely differing emotional states speaks to and for all of us and is what makes him enduringly powerful. He is part of all of our heritage. I am thrilled by the fact that he articulated the passion and the anguish of Italian teenagers, Scottish royals, Roman statesmen, English peasants, Danish aristocracy, a Jewish merchant and an African who was a member of the Venetian military high command! In that context it is even more thrilling that there is so much intrigue about who really was his ‘dark lady’. It is clear that he was convinced that none of us is just one thing. The festival celebrates that fact and gives those of us who don’t ordinarily claim him so readily as part of our heritage, an ability and focus to do so.”

Opening the festival will be Voices in the Dark, personal stories written by young British Muslims performed alongside scenes devised by Intermission Youth Theatre. Highlighting the parallels between Shakespeare’s stories and these modern ones, scenes from his plays are woven into the evening. Intermission Youth Theatre is a charity working with young people who are disadvantaged, lacking in opportunity, at risk of offending or ex-offenders. All profits from the event will be donated to Intermission Youth Theatre, and Voices, a social start-up which aims to creatively challenge perceptions through the sharing and telling of people’s stories.

On 12 August, American Moor, an 85-minute play written and performed by African-American actor Keith Hamilton Cobb, will examine the experience and perspective of black men in America. There will be a post-performance discussion hosted and led by Michael Witmore, Director of the Folger Shakespeare Library in Washington D.C. The production has been performed across America, winning ‘Outstanding Solo Performance’ at the 2015 AUDELCO Awards. It was recognized by the Folger Shakespeare Library, and the script is now in the library’s permanent collection.

Keith Hamilton Cobb is best-known for his roles as Noah Keefer for ABC’s All My Children, for which he was nominated for a Daytime Emmy Award, Tyr Anasazi in Gene Rodenberry’s Andromeda, Damon Porter in CBS’s The Young and the Restless, and Quincy Abrams for the series Noah’s Arc (Logo Network). Other television credits includeThe Fresh Prince of Bel-Air, Boston Common, Suddenly Susan, One on One, The Twilight Zone, and CSI Miami. A prolific stage performer, Keith has performed in multiple Shakespearean plays, including Hamlet, Romeo and Juliet, Coriolanus, A Midsummer Night’s Dream, as well as more contemporary roles in David Mamet’s Race, August Wilson’s Jitney, and Lynn Nottage’s Ruined.

On Monday 13 August, a workshop entitled Staging Race and Diversity in the Shakespearean Theatre will study the relationship between staging practices and racial diversity. This will examine the privilege white actors have and disadvantage actors of colour experience due to choices of costume, set and lighting. The workshop will ask questions such as ‘does staging Shakespeare in historical dress present a challenge to directors and designers when it comes to racial diversity?’ Actors and scholars will come together to experiment, challenge and debate long-held assumptions about the relationship between casting, staging and race. The workshop will be led by Dr Erika Lin, Associate Professor at the Graduate Centre of New York (CUNY) and Dr Farah Karim-Cooper, Director of the Shakespeare and Race festival and Head of Higher Education and Research at the Globe. Erika specialises in early modern English theatre and culture with particular attention to embodied performance, affect, spectacle, and audience.

The Sam Wanamaker Fellowship Lecture is to be given by Professor Kim F. Hall on Tuesday 14 August. Kim F. Hall is the Lucyle Hook Chair of English and a Professor of Africana Studies at Barnard College. Her research and teaching cover Renaissance/Early Modern Literature and Culture, Critical Race Theory, Black Feminist Studies, Slavery Studies, Visual Culture, Food Studies, and Digital Humanities. Her book, Things of Darkness: Economies of Race and Gender in Early Modern England, (published 1996), used a black feminist approach to interpret Renaissance literature. She is currently working on two book projects: Sweet Taste of Empire, which examines the roles of race, aesthetics and gender in the Anglo-Caribbean sugar trade during the seventeenth century and a new project, Othello was My Grandfather: Shakespeare and the African Diaspora, which discusses Afrodiasporic appropriations of Othello.

Wednesday 15 August will see Morgan Lloyd Malcolm in conversation with the director Nicole Charles in a pre-show talk before Emilia. Morgan’s new play, Emilia, opens 10 August, directed by Nicole Charles. It will explore the life of Emilia Bassano, whom many consider to be the Dark Lady of the Sonnets, but was also a writer, poet, mother, feminist and woman in her own right. Playwright and screenwriter Morgan Lloyd Malcolm’s play Belongings (Hampstead Theatre, Trafalgar Studios) was shortlisted for The Charles Wintour Most Promising Playwright Award, followed by The Wasp (Hampstead Theatre, Trafalgar Studios). In 2016, she was selected for the BBC TV Drama Writers Programme and commissioned to write a 60-minute original television drama.

A panel discussion entitled Women and Theatre in Britain will take place on Thursday 16 August. It will explore what it means to be a woman of colour working in theatre in 21st century Britain. Participants will be playwrights, actors, directors and prominent women in theatre. Joan Iyiolawill be taking part in the panel. Joan’s credits include The Duchess of Malfi,Life of Galileo, Boris Godunov, Orphan of Zhao (Royal Shakespeare Company), A Season in the Congo (Young Vic), The White Devil (RSC),Eclipsed (Gate Theatre), and They Drink It in the Congo (Almeida). Further participants are to be announced soon.

Playing Othello, on Friday 17 August, will see a panel discussion with actors who have played Othello in recent years and who will share their experiences of the role. Playing Othello will be chaired by the author of the most recent Arden introduction to Othello, Professor Ayanna Thompson (Arizona State University). The panel will include André Holland andGolda Rosheuvel. More actors taking part in the panel discussion will be announced soon.

Golda Rosheuvel played Othello at the Liverpool Everyman earlier this year. Instead of a gender-swap, Golda played the role as a lesbian woman. Her theatre credits include Romeo & Juliet (Shakespeare’s Globe), A Pacifist’s Guide to the War on Cancer, Wonder.land, The Curious Incident of the Dog in the Night Time (National Theatre), Electra, Carmen Jones(Old Vic), Marat/Sade, The Tempest, Julius Caesar, and Antony and Cleopatra (RSC). Screen credits include Lady Macbeth, EastEnders andHolby City (BBC). André Holland plays Othello this summer at the Globe, which opened 20 July. André is best known for his roles in Academy Award-winning films Moonlight and Selma. The multi-award-winning actor’s other screen credits include 42 and The Knick. Theatre credits include Jitney(Broadway), Blue Door (Playwrights Horizons), Wig Out (Vineyard Theatre), The Brother / Sister Plays (Public Theatre) and All’s Well That Ends Well(Shakespeare in the Park).

An international symposium will be held on Friday 17 and Saturday 18 August. Shakespeare and Race Across Borders: A Scholarly Symposium will bring together scholars from the disciplines of race, Shakespeare, theatre and performance studies to discuss the ways in which race is taught at university, discussed in the critical field and represented in performance. Featuring internationally renowned keynote speakers and panellists, the conference will generate important debate and open discussion about one of the most important and urgent issues in 21st-century Shakespeare studies.

Keynote speakers for the symposium comprise Kimberlé Crenshaw, Professor of Law at Columbia Law School and UCLA. She coined the term “intersectionality” and is a leader in the intellectual movement of Critical Race Theory. Crenshaw is a co-founder of the African American Policy Forum and the Women’s Media Initiative. Luke Harris is Associate Professor of American Politics and Constitutional Law at Vassar College and co-founder of the African American Policy Forum. He has written a series of critically acclaimed articles on equality in contemporary America.Devon Carbado is the author of Acting White? Rethinking Race in a “Post-Racial” America (Oxford University Press). He currently teaches at UCLA School of Law and has won numerous teaching awards, including the inaugural Fletcher Foundation Fellowship. Ayanna Thompson has written extensively on the subject of Shakespeare and race, including Passing Strange: Shakespeare, Race and Contemporary America (Oxford University Press) and, most recently, Shakespeare in the Theatre: Peter Sellars (Arden Bloomsbury). Professor Thompson is the 2018-19 President of the Shakespeare Association of America and Director of the Arizona Center for Medieval & Renaissance Studies at Arizona State University. Arthur L. Little is an Associate Professor of English at UCLA and author of numerous articles on Shakespeare, race and justice. Ania Loombais the Catherine Byson Professor of English at the University of Pennsylvania where she researches and teaches early modern literature, race and feminist theory. Her latest publications include Rethinking Feminism in Early Modern Studies: Gender, Race and Sexuality (Routledge). Ian Smith is a professor of English and teaches courses on English, Women’s and Gender Studies and Africana studies at Lafayette College. His current research project, Black Shakespeare, examines Shakespeare’s interest in social and political racial identities. Joyce Green MacDonald is the author of Women and Race in Early Modern Texts (Cambridge University Press). She is the Associate Professor of English at the University of Kentucky.

Other speakers include Margo Hendricks (UC Santa Cruz), Kim F. Hall (Barnard College), Miles P. Grier (Queens College CUNY), Alfredo de Modenessi (National Autonomous University of Mexico), Carol Mejia-La Perle (Wright State University), Arne Pohlmeier (Two Gents Company), Tonderai Munyevu (Two Gents Company), Malcolm Cocks (Dulwich College and Globe Post-doctoral researcher on World Hamlet Globe-to-Globe), Taarini Mookherjee (Columbia University), Tripthi Pillai (Coastal Carolina University), Ruben Espinosa (UTEP), Michael Shane Boyle (Queen Mary University) and Patricia Akhimie (Rutgers University).

The final event of the festival will be in the Sam Wanamaker Playhouse on18 August, Hip-hop Shakespeare Unplugged, from Akala and The Hip-hop Shakespeare Company. The show will feature the renowned Hip-hop Shakespeare house band and a range of undiscovered young talent performing a medley of songs inspired by scenes and themes from Shakespeare’s plays and sonnets. Founded by MOBO-award winning hip-hop artist Akala, The Hip-hop Shakespeare Company is a music theatre production company aimed at exploring the social, cultural and linguistic parallels between the works of William Shakespeare and that of modern day hip-hop artists.

FINIS.

Editor’s notes.

LISTINGS

SATURDAY 11 AUGUST
7.45pm – Voices in the Dark
£10-£20, Sam Wanamaker Playhouse

SUNDAY 12 AUGUST
6.00pm – American Moor by Keith Hamilton Cobb
£15 (£12 Members/Students), Sam Wanamaker Playhouse

MONDAY 13 AUGUST
6.00pm – Staging Race and Diversity in the Shakespearean Theatre
£10 (£5 Members/Students), Sam Wanamaker Playhouse

TUESDAY 14 AUGUST
7.00pm – Sam Wanamaker Fellowship Lecture
£15 (£12 Members/Students), Sam Wanamaker Playhouse

WEDNESDAY 15 AUGUST
6.00pm – Morgan Lloyd Malcolm in Conversation
£8 (£6 Members/Students), Sam Wanamaker Playhouse

THURSDAY 16 AUGUST
7.00pm – Women and Theatre in Britain
£15 (£12 Members/Students), Sam Wanamaker Playhouse

FRIDAY 17 AUGUST
9.30am – Shakespeare and Race Across Borders: A Scholarly Symposium
£85 (£55 Members/Students), Nancy Knowles Lecture Theatre]

7.00pm – Playing Othello
£15 (£12 Members/Students), Sam Wanamaker Playhouse

SATURDAY 18 AUGUST
10.00am – Shakespeare and Race Across Borders: A Scholarly Symposium
£85 (£55 Members/Students), Nancy Knowles Lecture Theatre]

7.45pm – Hip-hop Shakespeare Unplugged
£10-£25, Sam Wanamaker Playhouse

For more information, please contact:

Lucy Butterfield
020 7902 1468
lucy.b@shakespearesglobe.com

Claudia Conway
07966 567701
claudia@draperconway.com

Shakespeare’s Globe.

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‘And let us …on your imaginary forces work’ Henry V, Prologue

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The Globe Theatre is open all year, with tours and educational work throughout the year, and the theatre season running from April to October. It is an important space for research led by in-house scholars, as well as activities for school students of all ages. Each year in early spring, Playing Shakespeare with Deutsche Bank, a Shakespeare production created for young people and families, gives 20,000 free tickets to state secondary schools in London and Birmingham.

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An online platform offering full-length HD films of over 50 Shakespeare productions at the Globe to rent or buy. GlobePlayer.tv

BROADWAY
Tony Award-nominated production of Farinelli and the King recently finished on Broadway after a very successful run. Three-time Tony Award-winner, Academy Award-winner and previous Artistic Director of the Globe, Mark Rylance starred in the new play with music by author and composer Claire van Kampen, produced by Sonia Friedman, Paula Marie Black and Shakespeare’s Globe. farinelliandthekingbroadway.com

CINEMA SCREENINGS
Shakespeare’s Globe on Screen returns to cinemas in 2018, bringing highlights from the theatre season to cinemas worldwide. For more information contact marika.player@targetlive.co.uk

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SHOP
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